"A Chorus Line" opened on Broadway in 1975 and I took my first trip to New 
York in 1976.  I had been pre-destined to a life of dance since I was 4 but 
seeing "A Chorus Line" made me realize that a career of real life dancing wasn't going to be Mrs. Pettit's 
dance class for girls.  Still I loved it, I LOVED IT!!! I loved the Bob Fosse choreography and I LOVED that music, Marvin Hamlish's music.  I wore out the record - twice!  And 
when we all switched to CDs, I bought that music for a third time. Still to this day I can't forget, won't regret what I did for LOVE...go ahead..put it on full blast in your car and SING and tip your top hat to Marvin Hamlish! 
By 1980 when "The Shock of the New" aired on PBS, I had re-directed my sights 
to art.  Art encompassed not just beautiful objects but history, politics, 
religion and the world.  I fell for Robert Hughes hook, line and sinker.  The 
way he expressed himself, taking no prisoners, not apologizing for his often 
controversial opinions and being just a little bit rough around the edges with 
his Aussie accent made him my Hemingway. He will always be the greatest art 
critic to me.
If you are are curious to read more about Robert Hughes click here: 
Or watch clips of Hughes take on the Meaning of Art, Andy Warhol, Damien Hirst and the art market in general, click here:
http://galleristny.com/2012/08/robert-hughes-visits-alberto-mugrabi-and-other-adventures-in-art-criticism/
http://galleristny.com/2012/08/robert-hughes-visits-alberto-mugrabi-and-other-adventures-in-art-criticism/

 
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